I see the language
incised
dip & divot
logosyllabic
but I don’t touch it
it is protocontentment
and I am actual contentment now
it is a slug of ancient city from a cup,
‘speech intonation & stress’
I want none of it really, the best words
are so easy to say, you just go ha ha ha
it’s cool though that our first missives
were puffy breadlike bricks and wet
pounded pulp. I like the idea a lot and
always have
ducks and Taweret
super-longing for something round and ineffable
a perfect globe of flood a groundless calix
things that look like other things, that you could eat
these were the miragey ephemera of
myself as an eleven year old
cuneiform a frangipane cake
never having always getting
never resting, flaxy, the still object
surrounded by the changing world
so I gather that sometimes even
our fantasies
fall short of what we receive.
Because we rummage around for things
in the dust, and are given them
in flesh
Allison Hummel is based in Los Angeles. Her work has recently appeared in Clade Song, new sinews, Dream Pop, and Wax Nine. Work is forthcoming from Figure 1.
It is remarkable, rather amusing piece
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