Because this form asks the most of its readers as far as co-creation, we have to be able to see where the form can falter, if we falter as writers.
Let’s define that gap, that bridge, between the work of art and the audience as “the interface.
This is another great thing about being a writer. The form gives you a safe space to work out whatever “is within you.”
If you wish you could forget something, if it won’t go away after years, it’s because there’s story material there calling out to you.
Unlike a beginning, which can be anything, we want an ending that can only be one singular thing.
Those questions are a part of you as much as the pain and the longing.
This is when you want to follow what the story is asking of you instead of what you are asking of it.
Flaws create conflict. “Wants” create conflict. And conflict powers stories.
As much as many of us are afraid of changing, the most important events of our lives are always around a great change—getting married, having a baby, the death of a loved one.
Limitations are your ally. The challenge is finding them and seeing them.