DIFFERENT ITERATIONS OF BEING: An Interview with Rashi Rohatgi by Mandira Pattnaik
Sita in Exile is a story about what it means to exist in different forms, or to feel forced to choose between different iterations of being.
Sita in Exile is a story about what it means to exist in different forms, or to feel forced to choose between different iterations of being.
As far as my place, the fields, forests, creeks, as well as the people here, wear the scars and carry the legacies of what came before.
I don’t know what my dog is smelling when we go on a walk, but it’s clearly not the same thing I’m smelling—and I can’t imagine what color looks like to a mantis shrimp.
How a text is structured has something profound to say about its author’s vision.
So much of this first novel felt like fighting my way through an unmapped jungle with a butter knife.
Flash communicates via caesuras and crevices.
Readers don’t care about markets and labels. So why should I?
[Spanish] is not in these stories as a tool of craft. It is there because it belongs there.
With the passage of time comes increased objectivity and the emotional distance required to be your own ruthless editor.
Authenticity is all. You will be drawn to the serial killer if his character is complex enough.