“Seeing the evolution of Blood Meridian just reminds me of the value of the process: which involves drafting and revising, tinkering and experimenting, and for most writers, and certainly me, an unhurried attitude towards creative work.”
Genuine flash must be hard as diamonds, warm as poetry.
I found myself drawn to the idea of taking these big, comic book concepts and applying them to a quiet story about loss and the poison of nostalgia.
The world has so many great stories, and to limit the tales based on what readers may want, instead of offering them fresh slices of life through story, is a huge mistake.
What was most exhilarating for me, editing this book, was “the hunt,” discovering a new author or story that took me to a fresh place.
I try to write something new at least 3 to 5 times a week, and I tell myself that it doesn’t have to be good.
Lovepain is a short, easily digestible, novel, but that doesn’t mean that it isn’t sophisticated or complex.
Everything I write is part of a life-long continuum of work that informs each other, and if I look at something I’m working now, I’ll see its origin in something I was thinking about maybe twenty or thirty years ago.
Listening to the Beach Boys can be like sneaking a peak into a mythological, idealized version of America that probably never existed
“I don’t know if I’d say that writers “owe it” to be involved in their communities, per say. But I think it’s one way that we can connect to other people and defeat the stereotype that writers prefer isolation/solitary existence.”